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The Patrick Melrose Novels: Never Mind, Bad News, Some Hope, and Mother's Milk, by Edward St. Aubyn
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NATIONAL BESTSELLER
An Atlantic Magazine Best Book of the Year
A Publishers Weekly Best Book of the Year
"The Melrose Novels are a masterwork for the twenty-first century, written by one of the great prose stylists in England." —Alice Sebold, author of The Lovely Bones
For more than twenty years, acclaimed author Edward St. Aubyn has chronicled the life of Patrick Melrose, painting an extraordinary portrait of the beleaguered and self-loathing world of privilege. This single volume collects the first four novels—Never Mind, Bad News, Some Hope, and Mother's Milk, a Man Booker finalist—to coincide with the publication of At Last, the final installment of this unique novel cycle.
By turns harrowing and hilarious, these beautifully written novels dissect the English upper class as we follow Patrick Melrose's story from child abuse to heroin addiction and recovery. Never Mind, the first novel, unfolds over a day and an evening at the family's chateaux in the south of France, where the sadistic and terrifying figure of David Melrose dominates the lives of his five-year-old son, Patrick, and his rich and unhappy American mother, Eleanor. From abuse to addiction, the second novel, Bad News opens as the twenty-two-year-old Patrick sets off to collect his father's ashes from New York, where he will spend a drug-crazed twenty-four hours. And back in England, the third novel, Some Hope, offers a sober and clean Patrick the possibility of recovery. The fourth novel, the Booker-shortlisted Mother's Milk, returns to the family chateau, where Patrick, now married and a father himself, struggles with child rearing, adultery, his mother's desire for assisted suicide, and the loss of the family home to a New Age foundation.
Edward St. Aubyn offers a window into a world of utter decadence, amorality, greed, snobbery, and cruelty—welcome to the declining British aristocracy.
- Sales Rank: #100578 in eBooks
- Published on: 2012-01-31
- Released on: 2012-01-31
- Format: Kindle eBook
From Booklist
This volume introduces American readers to the first four Melrose novels—Never Mind, Bad News, Some Hope, and Mother’s Milk—published in Great Britian from 1992 to 2006. (The fifth book, At Last, is available as a separate volume.) In Never Mind, Patrick is five years old, living in Provence with his incredibly rich American mother, Eleanor, and his sadistic, abusive English father, David. In Bad News, Patrick, now 22, goes to New York to collect David’s ashes, and there he feeds his addiction to various drugs in a spectacular fashion, spending over $10,000 in the course of a single day. If Bad News calls to mind Bright Lights, Big City, Some Hope is more like Wodehouse, with Patrick, now sober, attending a country-house party at which Princess Margaret is also a guest. Mother’s Milk returns to Provence, where Patrick is vacationing with his wife and sons in the house that Eleanor has turned into a New Age wellness center. Mother’s Milk was a Man Booker finalist, making this volume especially welcome for readers who savor literary British fiction. --Mary Ellen Quinn
From Bookforum
A brew of romans a clef set amid a sparklingly decadent upper-crust English background, the novels are a mordant portrait of a class that St. Aubyn loathes but is undeniably his own. In each novel we read a kind of status report on Patrick's progress, one in which his growing desire to come to grips with his legacy and the shadow of maturity does battle with a pathological case of self-loathing, an appetite for sex and self-medication. Bleak as the material may sound, the Melrose novels are modern masterworks of social comedy. —Eric Banks
Review
“Like Waugh, St. Aubyn writes with exquisite control and a brilliant comic touch…Patrick often seems like a Philip Roth hero transplanted into a world of English privilege…The Patrick Melrose Series forms an exhaustive study of cruelty: its varieties, its motivations, its consequences, its moral implications…At Last is an intelligent and surprising novel, a fitting conclusion to the one of the best fictional cycles in contemporary fiction.” ―The Boston Globe
“Implausibly brilliant speech…The striking gap between, on the one hand, the elegant polish of the narration, the silver rustle of these exquisite sentences, the poised narrowness of the social satire and, on the other hand, the screaming pain of the family violence inflicted on Patrick makes these books some of the strangest of contemporary novels …This prose, whose repressed English control is admired by everyone from Alan Hollinghurst to Will Self, is drawn inexorably back to a fearful instability, to the nakedness of infancy.” ―James Wood, The New Yorker
“Gorgeous, golden prose…St. Aubyn is utterly fearless when faced with the task of unpacking and anatomizing the inner lives of characters. No emotion is so subtle and fleeting he can't convey it, or so terrifying or shameful that he can't face it.” ―Lev Grossman, Time
“Parental death, heroin, childhood rape, emotional frigidity, suicide, alcoholism…nothing about the plots can prepare you for the rich, acerbic comedy of St. Aubyn's world---or more surprising---its philosophical density.” ―Zadie Smith, Harper's Magazine
“I read the five Patrick Melrose novels in five days. When I finished, I read them again.” ―Ann Patchett, The Guardian
“Extraordinary…acidic humor, stiletto-sharp.” ―Francine Prose
“Intoxicatingly witty.” ―The New York Review of Books
“Why did it take me so long to fall in love with the brilliant novels of Edward St. Aubyn?” ―Brett Easton Ellis
“The most brilliant English novelist of his generation.” ―Alan Hollinghurst
“Our purest living prose stylist.” ―The Guardian (London)
“A smoldering portrait of a class largely banished from fiction.” ―James Lasdun
“Exquisitely harrowing entertainment.” ―Sam Lipsyte
“A spectacularly toxic confection.” ―The Village Voice
“Dialogue as amusing as Waugh's and narrative even more deft than Graham Greene's.” ―Edmund White
“A staggeringly good prose stylist.” ―The Times (London)
“One of the preeminent writers of his generation.” ―Will Self
“Perversely funny.” ―People
Most helpful customer reviews
123 of 126 people found the following review helpful.
don't want it to end
By Amazon Customer
While there were many times I almost stopped because it was such a brutal read, now that I'm in the last of this series, Mother's Milk, I just don't want to let go of these voices. Patrick Melose grows from the five year old victim of The Worst Father in the World into the loving, hapless, father of Robert, my favorite child since Jack in Room. Along the way, we meet the most hilariously horrifying characters imaginable. And every now and then I find myself underlining a gorgeous line that is lyrical, satirical, spiritual, nasty, and sometimes all of the above. Where has this writer been all my life? Well, at least I still have one more to go: At Last.
74 of 78 people found the following review helpful.
Brilliant, Harrowing, Hilarious - Not for the Faint of Heart
By J. Wilson
Compulsively readable. I feasted on the four "Melrose" books, then purchased "At Last"--the latest "installment." The hero's journey from abused child through self-abusing youth to brutally self-knowing survivor (in "At Last") would be excruciating if it weren't for St. Aubyn's lapidary prose and lacerating wit. Fully captures the terror of being a small child at the mercy of ruthlessly self-absorbed adults and the resulting life-long confusion of having one's deepest emotional attachments warped by parental damage. But also provides hilarious portraits of clueless aristocrats, deranged addicts, deluded do-gooders and unapologetic snobs. I can't think of another author who alternates between breathtaking satire and profound insight as deftly as St. Aubyn. The effect is devastating in both senses of the word.
42 of 43 people found the following review helpful.
If you appreciate extraordinary writing, this is for you
By Ruth Biloon
From the very first page, a reader knows he or she is in the presence of an extraordinary writer. Precise, ironic, sardonic at times, highly original phrasing and wording make these books compelling reading. The characters, mostly drawn from the upper classes of English society, are vivid, sharply painted and often funny. The story is bleak and not for the faint hearted, but the rewards are considerable. Certain sentences, descriptions and observations are so acute and highly original that I wanted to write them down for future rereading. The four books should be read in order, as they constitute a continuing story, with the same characters, and references to past events appear throughout. For real readers and not just for book club followers.
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