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My Garden (Book), by Jamaica Kincaid
PDF Download My Garden (Book), by Jamaica Kincaid
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One of our finest writers on one of her greatest loves. Jamaica Kincaid's first garden in Vermont was a plot in the middle of her front lawn. There, to the consternation of more experienced friends, she planted only seeds of the flowers she liked best. In My Garden (Book) she gathers all she loves about gardening and plants, and examines it generously, passionately, and with sharp, idiosyncratic discrimination. Kincaid's affections are matched in intensity only by her dislikes. She loves spring and summer but cannot bring herself to love winter, for it hides the garden. She adores the rhododendron Jane Grant, and appreciates ordinary Blue Lake string beans, but abhors the Asiatic lily. The sources of her inspiration -- seed catalogues, the gardener Gertrude Jekyll, gardens like Monet's at Giverny -- are subjected to intense scrutiny. She also examines the idea of the garden on Antigua, where she grew up. My Garden (Book) is an intimate, playful, and penetrating book on gardens, the plants that fill them, and the persons who tend them.
- Sales Rank: #894031 in eBooks
- Published on: 2001-05-15
- Released on: 2001-05-15
- Format: Kindle eBook
From Publishers Weekly
"I wanted a garden that looked like something I had in my mind's eye, but exactly what that might be I did not know and even now do not know." Celebrated novelist Kincaid (The Autobiography of My Mother) should delight fans of her fiction and connoisseurs of the literature of horticulture with this personable and brightly descriptive, if somewhat rambling, book-length essay, most of it about her own garden in Vermont. Kincaid (who last year edited the anthology My Favorite Plant) shuttles constantly and with ease between the practical, technical difficulties of gardening and the larger meanings it makes available. She asks herself why her new weeping wisterias won't look right on her stone terrace; why her Carpinus betulus Pendula looks so lonely amid poppies and "late-blooming monkshood"; what's wrong with roses, and what's good about Blue Lake green beans; and how to stack up stones. But she also coaxes from her plot of earth more philosophical and psychological questions--inquiries about geography, heritage, marriage, motherhood, power; "how to make a house a home"; whether and for whom "to name is to possess." Kincaid's Antiguan upbringing recurs as a point of comparison, a source of political insights and a focus of nostalgia: "it dawned on me that the garden I was making... resembled a map of the Caribbean and the sea that surrounds it." A botany-centered trip to Kunming, China, gives the last chapter a welcome change of scene. Kincaid, her publisher and their designers have made of her meditations a remarkably attractive physical object, suffused outside and in by shades of green and decorated throughout with illustrations by Jill Fox. (Dec.)
Copyright 1999 Reed Business Information, Inc.
From Library Journal
Kincaid blends a fertile inner life, botanical and colonial history, gardening lore, and her long gardening experience to create a rich, rewarding read. She contrasts the colonial specimen plants of the botanical garden of St. John's, in her native Antigua, with the wild, unruly garden she's created at her current home in Vermont. This garden, says Kincaid, reflects her passions and interests. "When it dawned on me that the garden I was making... resembled a map of the Caribbean and the sea that surrounds it... I only marveled at the way a garden is for me an exercise in memory, a way of getting to a past that is my own." Kincaid is a hopeful, imaginative gardener who lazily pages through catalogs during the long Vermont winters and plans trips to China, Giverney, and Sissinghurst to further feed her passion for plants. "I wanted a garden that looked like something I had in my mind's eye, but exactly what that might be I did not know. And this must be why: the garden for me is so bound up with words about the garden, with words themselves, that any set idea of the garden, any set picture, is a provocation to me." Is her ideal possible? "I shall never have the garden I have in my mind but that for me is the joy of it; certain things can never be realized so all the more reason to attempt them."
Copyright 1999 Reed Business Information, Inc.
From Booklist
Kincaid's exuberant writing style complements her wide-ranging ruminations on gardens and the pursuit of gardening. Plant life is mysterious; specimens that should flower but do not do so raise questions that beg to be answered. Winter is not Kincaid's cup of tea, but the season allows time to enjoy inspirational seed and plant nursery catalogs. Insofar as her involvement in making a garden goes, Kincaid acknowledges both "satisfaction and despair." Readers who garden will recognize those feelings as the predictably contrary states of mind when we cultivate the land. Kincaid tours London's Chelsea Flower Show, Monet's Giverny, and Gertrude Jekyll's Munstead Wood, and she recalls unusual plants and observes the behavior of individuals from the past and the present. Still, Kincaid's views extend beyond the musings found in your usual garden journal. She ponders the history of slavery, the arrogance of the ruling classes, and the fact that ornamental gardens are a luxury, offering a great deal to savor and reflect on. Altogether, a fascinating cornucopia to consort with on nights when the garden is at rest. Alice Joyce
Most helpful customer reviews
46 of 48 people found the following review helpful.
Garden as metaphor, garden as garden
By DAMwriter
I must confess to having never read any of Ms. Kincaid's earlier work, but having enjoyed this book as much as I did, I will certainly seek out her other writings.
This book is an open, descriptive peek into the pleasures and peeves of gardening, and into Ms. Kincaid's own idiosyncratic - alternately heartwarming and annoying - view of herself, her family, her friends and acquaintances, and history. It takes the "garden as metaphor for life" theme into entirely new and thought-provoking directions.
Her style (writing as the novice Kincaid reader that I am) was unusual - very conversational, sometimes rambling and disjointed - and took some getting used to. But once I got into the essays, I found it entirely engaging. She delivers an honest appraisal of her strengths and her weaknesses, as a gardener and as a person. Her enemies (insect, animal and human) became my enemies, her heroes became my heroes (I've registered for a symposium featuring Dan of Heronswood Gardens already!), and her ideas never failed to generate my own questions and (sometimes) answers.
I highly recommend this book, as an adjunct to the winter plant catalogues and "how-to" books into which we addicted gardeners usually immerse ourselves during the "off" season. No great font of gardening information (by her own admission, she usually breaks the mold, if not the rules), it will not fail to inspire your own efforts come spring.
14 of 14 people found the following review helpful.
the thickness of things
By aboyer
"Oh, how I like the rush of things, the thickness of things . . ."
Oh, how I like Kincaid's My Garden (Book). I am halfway through it and realize I had better slow down, because I am not going to find another book on the garden I like nearly so much as this one, probably for a very long time. I've got a stack of other books, none so good, and I will use My Garden (Book) like a tiny slice of truffle among the more common and less delicious food on my plate. Rationing is the only option.
What I like about her (among the everything else I like about her) is that she doesn't like Asiatic Lilies because their colors remind her of a hallucinogenic drug she took once ever seven days for a year when she was young. This is the best sort of confession to make in a gardening book.
She also confesses to amassing large debts and threatening letters from creditors about her garden habit. She confesses to being a messy, careless person with a messy house. All these confessions endear her to me. The weaknesses balance the austere authority of her prose, which also endears her to me.
Her garden aesthetic - odd, overgrown, intense and personal, wild, even, endears her to me. I remember reading a bit of memoir in the New Yorker that involved her experiments with coffee enemas. This struck me as the strangest thing I had ever read (because perhaps I was still a teenager in Kansas and ready to be struck by things). Enemas? The reason for them escaped me, but with coffee none the less - or espresso? I paid careful attention to the byline of that piece, wanting to find more of this sort of writing.
Later, one of her essays was in a book I used as a graduate teaching assistant. When I saw her name, I took a sip of coffee.
I like Ms. Kincaid because she doesn't love the writing of Vita Sackville-West. She says that the best literary companion to Vita's gardens is the autobiography of Nina Simone. How could this not be love? The best companion to life is Nina Simone and gardening like Vita Sackville-West.
How could I not see bringing Ms. Kincaid a bouquet of flowers in exquisite yellows and sharing a cocktail in some overgrown, wild garden someday? How could I not tell everyone I know who enjoys the garden or good writing to pick up this book immediately and fall in love?
20 of 23 people found the following review helpful.
A veritable Garden
By Kevin Sim
I first picked up Kincaid's 'At the bottom of the river' last August. I just returned to homeland after 5 years away, saw the book on the floor of a bookshop, picked it up and ended up bringing it home. Since then, I have read all of her books.
This novel continues to do great justice to its predecessors. Illuminating, alive and vivid.
This is not a book about only gardening, but about everything. Poignant, funny, opinionated. It is a book that entertains and informs, in between the discussion of gardens and people with gardens.
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