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Brazilian Art under Dictatorship is a sophisticated analysis of the intersection of politics and the visual arts during the most repressive years of Brazil's military regime, from 1968 until 1975. Raised in Rio de Janeiro during the dictatorship, the curator and art historian Claudia Calirman describes how Brazilian visual artists addressed the political situation and opened up the local art scene to new international trends. Focusing on innovative art forms infused with a political undertone, Calirman emphasizes the desire among Brazilian artists to reconcile new modes of art making with a concern for local politics. Ephemeral works, such as performance art, media-based art, and conceptualism, were well suited to the evasion of censorship and persecution. Calirman examines the work and careers of three major artists of the period, Antonio Manuel, Artur Barrio, and Cildo Meireles. She explores the ways that they negotiated the competing demands of Brazilian politics and the international art scene, the efficacy of their political critiques, and their impact on Brazilian art and culture. Calirman suggests that the art of the late 1960s and early 1970s represented not just the artists' concerns with politics, but also their anxieties about overstepping the boundaries of artistic expression.
- Sales Rank: #1699838 in eBooks
- Published on: 2012-05-21
- Released on: 2012-05-21
- Format: Kindle eBook
Review
"Brazilian Art under Dictatorship is a welcome contribution to a growing body of scholarly work about cultural production in Brazil under authoritarian rule. Through meticulous archival research, Claudia Calirman illuminates the work of three great experimental artists of the 1970s who pursued distinct artistic strategies. She succeeds in showing how, in their work, they responded to the specific context of censorship and violence in Brazil, while remaining engaged in an international dialogue about the changing politics of art in contemporary societies."—Christopher Dunn, author of Brutality Garden: Tropicália and the Emergence of a Brazilian Counterculture
“Calirman's examination of three artists - Antonio Manuel, Artur Barrio and Cildo Meireles - helps to challenge the myth that the Brazilian dictatorship fostered only ‘cultural emptiness.’ Via letters and manifestos, exhibition reviews and descriptions of artworks, and interviews with artists and critics, she reveals the ephemeral, performative and clandestine artwork produced during the period. . . . Calirman breaks down myths about the absence of opposition to the Brazilian military regime and urges us to continue to examine the many forms of resistance in Cold War-era Latin America.” (Sarah Sarzynski Times Higher Education)
“In Brazilian Art under Dictatorship, Claudia Calirman avoids the pitfall of geographic homogenization by profiling three quite distinctive artists who emerged in Rio de Janeiro toward the end of the 1960s. . . . Calirman's book is extremely well researched . . . [A]n interesting account of this little-known history, one that remains obscure even within Brazil." (Michael Asbury Art in America)
“Calirman . . . broadens our scope considerably by examining the work of three other visual artists who challenged right-wing military rule in ways that were both original and playful. . . . Calirman . . . takes a measured view, being careful not to overstate claims to the importance of what these three artists achieved. . . . At the very least, the works of Antonio Manuel, Artur Barrio, Cildo Meireles and others discussed here demonstrate that ‘there was in fact robust artistic production during the dictatorship.’ Shouldn’t that be enough?” (Larry Rohter Revista: Harvard Review of Latin America)
“The book offers a broad overview of different works from the perspective of these three artists, all in a specific period of time in Brazil’s history. . . .Calirman takes us carefully through the art historical and cultural context of the artists’ engagements. Many of them continue to resonate today. . . .” (An Xiao Hyperallergic)
“This book makes a valuable contribution to scholarship about cultural production in Brazil under the military dictatorship, exploring as it does visual arts in the most repressive period of authoritarian rule from 1968-1975…. [The author] focuses on the innovative ideas of Antonio Manuel, Artur Barrio, and Cildo Meireles whose work juggled political undercurrents and the artistic effort to respond to international artistic trends.” (The Latin American Review of Books)
“Brazilian Art under Dictatorship is a well-researched, multifaceted explanation of the complexities and contradictions of self-expression under a climate of repression and censorship. Easily the most thorough and readable book on this time period in Brazilian art history in any language, the reader often feels as if they are being given a personal behind-the-scenes tour of a singular moment in modern art history. Anyone from the public to advanced scholars seeking a meticulously researched and informative history of the Brazilian art scene under the dictatorship should begin with Calirman’s landmark study.” (Matthew Francis Rarey Luso-Brazilian Review)
“Brazilian Art Under Dictatorship’s chronological and thematic emphasis on the most repressive years of Brazil’s military regime makes it an important contribution within a field dominated by biographical monographs that span the arc of an artist’s career.” (Jennifer Josten Hispanic American Historical Review)
"Truly a triumph of social art history, Brazilian Art Under Dictatorship is painstakingly well researched. . . . Calirman exposes the depth and richness of Brazilian art during the dictatorship, a critical moment politically, culturally and artistically, within the history of Latin America." (Megan Lorraine Debin Arizona Journal of Hispanic Cultural Studies)
About the Author
Claudia Calirman is Assistant Professor of Art History at John Jay College of Criminal Justice of the City University of New York.
Most helpful customer reviews
0 of 0 people found the following review helpful.
Focus on three artists who should be better appreciated in the US
By Amazon Customer
Not bad for a book in English but, if you read Portuguese, much of the text has already been written by previous scholars.
A bit of a superficial outlook on three interesting Brazilian artists that deserve better attention.
In particular, make sure to check out the artwork of Antonio Manuel, especially his recent work barely touched on in this text.
0 of 1 people found the following review helpful.
Superior academic writing
By Danielle Hurd
Calirman's text is one of the most engaging, easy to read, and fascinating scholarly texts I have ever read. Her work is well-researched, but her expertise rarely impedes the formulation of a coherent narrative. Her forays into theory are brief, which may bother some, but I found them to be refreshingly concise. Since this is one of the first major studies of Brazilian art in the 60s and 70s the narrative is (appropriately) given primary importance. A few passages border on redundant and there are a few gaps in the story, but Calirman left me wanting to know more about the topic and to become a better writer. She has mastered the art of being thorough without being pompous or obtuse. I would even recommend this to people outside of the field. A major step forward for all those interested Brazilian art and a wonderful read.
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